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Chapter 14 continues, without interruption, Jesus' dialogue with his disciples regarding his approaching departure from them. H. W. Watkins describes the chapter break as "unfortunate, as it breaks the close connection between these words and those which have gone immediately before ()", [4] although Alfred Plummer, in the Cambridge Bible for Schools and Colleges, identifies John 14 as the ...
The statement in John 14:26: "the Holy Spirit, whom the Father will send in my name" is within the framework of the "sending relationships" in John's gospel. [15] In John 9:4 (and also 14:24 ) Jesus refers to the father as "him that sent me", and in John 20:21 states "as the Father hath sent me, even so send I you" where he sends the disciples.
The concept of "truth" in Johannine writings is then intertwined with John 16:13's statement of how the Spirit of Truth acts as guide that leads believers to truth, building on the assurance given in John 14:26 that the Paraclete facilitates and confirms the memory of "all that Jesus had taught his disciples" and John 15:26's statement that ...
The Gospel of John, like all the gospels, is anonymous. [14] John 21:22 [15] references a disciple whom Jesus loved and John 21:24–25 [16] says: "This is the disciple who is testifying to these things and has written them, and we know that his testimony is true". [11]
3 Commentary from the Church Fathers. ... John 1:4 is the fourth verse in the first chapter of the Gospel of John in the New Testament of the ... (John 11:25; 14:6)" [2]
Changing water into wine at Cana in John 2:1–11 – "the first of the signs" Healing the royal official's son in Capernaum in John 4:46–54; Healing the paralytic at Bethesda in John 5:1–15; Feeding the 5000 in John 6:5–14; Jesus walking on water in John 6:16–24; Healing the man blind from birth in John 9:1–7; The raising of Lazarus ...
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.
In iconography, the evangelists often appear in Evangelist portraits derived from classical tradition, and are also frequently represented by the symbols which originate from the four "living creatures" that draw the throne-chariot of God in the vision in Ezekiel 1 reflected in the Book of Revelation , referred to as the four 'Seraphim', though ...