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  2. 24p - Wikipedia

    en.wikipedia.org/wiki/24p

    The process of transferring 24 frame/s video at 25 frame/s rates is also the most common method for ingesting 24p film rushes into a non-linear editor.The resulting 25 frame/s video can then be transferred into a non-linear editing system at 25 frame/s, maintaining the 1:1 frame correspondence between film frames and video frames.

  3. Apple Intermediate Codec - Wikipedia

    en.wikipedia.org/wiki/Apple_Intermediate_Codec

    The Apple Intermediate Codec is a high-quality 8-bit 4:2:0 video codec used mainly as a less processor-intensive way of working with long-GOP MPEG-2 footage such as HDV. It is recommended for use with all HD workflows in Final Cut Express, iMovie, and until Final Cut Pro version 5.

  4. Final Cut Pro - Wikipedia

    en.wikipedia.org/wiki/Final_Cut_Pro

    In April 2004, Final Cut Pro 4.5 was released and branded as "Final Cut Pro HD" due to its native support for Panasonic's tape-based DVCPRO HD format for compressed 720p and 1080i HD over FireWire. (While the software had been capable of uncompressed HD editing since version 3.0, it required expensive video cards and high-speed storage at the ...

  5. Apple ProRes - Wikipedia

    en.wikipedia.org/wiki/Apple_ProRes

    Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]

  6. iFrame (video format) - Wikipedia

    en.wikipedia.org/wiki/IFrame_(video_format)

    Many non-Apple editing tools do not require conversion of video from source to intermediate format, instead allowing to edit the original videos directly. Traditionally, Apple video editing tools like Final Cut Pro and iMovie have required conversion of video from its original format into intermediate format such as ProRes 422 or AIC for ...

  7. AVC-Intra - Wikipedia

    en.wikipedia.org/wiki/AVC-Intra

    MXF4mac offers an AVC-Intra codec for QuickTime that allows to export AVC-Intra and to set up native AVC-Intra timelines in Final Cut Pro. [10] EVS Broadcast Equipment has announced AVC-Intra 100 support for their XT[2]+, XT[3] and XS server family [11] MainConcept offer an AVC-Intra encoder and decoder as part of their Codec SDK [12]

  8. AVCHD - Wikipedia

    en.wikipedia.org/wiki/AVCHD

    Apple Final Cut Pro X natively supports AVCHD through Import From Camera. Apple Final Cut Pro for macOS. The latest version of Final Cut Pro 7 claims better integration with Apple's other professional applications and improved codec support for editing HD, DV and SD video formats, including encoding presets for devices such as iPod, Apple TV ...

  9. Edit decision list - Wikipedia

    en.wikipedia.org/wiki/Edit_decision_list

    For example, the EDL will change the 8th character of the reel name to the letter B. However, sometimes editors will (confusingly) use the letter B to designate time code breaks on a video tape. If there is broken time code on a video tape, there will be two (or more) instances of a particular time code on the video tape.