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These works were heavily influenced by Bartók's fascination with folk music and by his admiration to Claude Debussy, who had, by then, made a name for himself. [ 1 ] Whereas Fourteen Bagatelles is decidedly more difficult for young pianists, this set was planned to serve as an easy contemporary preparation for students.
Piano Concerto in B-flat minor, Op. 37 (1927–35) Lera Auerbach. Piano Concerto No. 1, Op. 39 (1997–98) (I. River of Loss; 2. Dialogue with Time; 3. Wind of Oblivion; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra) Double concerto for violin, piano and orchestra, Op ...
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
He is perhaps best known for his three collections of children's etudes (or "teaching pieces") for the piano, particularly his Op. 100 "25 Études faciles et progressives" (25 Easy and Progressive Studies) for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.
This article lists compositions written for piano duo. The list includes works for piano four-hands and works for two pianos. Catalogue number and date of composition are also included. Ordering is by composer surname. A list of notable performers who played and recorded these works is at List of classical piano duos (performers).
Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
The best known left-hand concerto is the Piano Concerto for the Left Hand in D by Maurice Ravel, which was written for Paul Wittgenstein between 1929 and 1930. Wittgenstein, who lost his right arm in World War I, commissioned a number of such works around that time, as did Otakar Hollmann .
12 Variations in E♭ major on the Romance "Je suis Lindor" from "Le Barbier de Seville" by Pierre Beaumarchais, music by Antoine-Laurent Baudron, K. 354 (Paris, 1778) 6 Variations in F major on the aria "Salve tu, Domine" from the opera "I filosofi immaginarii" by Giovanni Paisiello , K. 398 (Vienna, 1783)