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Guerrilla Girls is an anonymous group of feminist, female artists devoted to fighting sexism and racism within the art world. [1] The group formed in New York City in ...
Culture jamming (sometimes also guerrilla communication) [1] [2] is a form of protest used by many anti-consumerist social movements [3] to disrupt or subvert media culture and its mainstream cultural institutions, including corporate advertising. It attempts to "expose the methods of domination" of mass society. [4]
Guerrilla theatre, [1] [2] generally rendered "guerrilla theater" in the US, is a form of guerrilla communication originated in 1965 by the San Francisco Mime Troupe, who, in spirit of the Che Guevara writings from which the term guerrilla is taken, engaged in performances in public places committed to "revolutionary sociopolitical change."
Emily White wrote for the Chicago Reader in 1992, "Riot Girls are often accused of being separatist: they want to form a life away from men and invent 'girl culture.'" [145] One major argument was that the movement focused on middle-class white women, alienating other kinds of women. [146] [147] [148] This criticism emerged early in the movement.
Like the original Guerrilla Girls, founded in 1985, each member of Guerrilla Girls On Tour performs using the name of a dead female artist and wears a gorilla mask to conceal her true identity, operating as a collective entity. Their company is made up of approximately 20 to 30 members of women actors, directors, designers, producers, directors ...
The Guerrilla Girls are a contemporary an activist group that focuses on how feminism plays a role in public art. Their relationship to feminist aesthetics is relevant because they expose gender and ethnic bias, as well as corruption in the art, film and pop culture worlds.
Guerrilla Girl may refer to: Guerrilla Girls, an anonymous group of radical feminist, female artists; Guerrilla Girl; Guerrilla Girl; See also Gorilla Girl, a ...
Inspired by posters made by the Art Workers Coalition and the Guerrilla Girls, the group decided to create their own poster to be wheatpasted around New York City. Rejecting any photographic image as necessarily exclusionary, the group decided to use more abstract language in an attempt to reach multiple audiences. [ 5 ]