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Traditional Burmese weddings incorporate songs from the Mahāgīta corpus. A bwe song called "Aura of Immeasurable Auspiciousness" (Burmese: အတိုင်းမသိမင်္ဂလာသြဘာဘွဲ့, Ataing Mathi Mingala Awba Bwe) is used as a wedding processional song in traditional Burmese weddings.
Many traditional artists have become famous from their interpretations in Sofra. Depending from the rhythm, sofra songs can be accompanied with various traditional dances. Most popular sofras are Sofra Pejane, Sofra Gjakovare, etc. [5] Nowadays, sofra continues to be very popular and present at almost every wedding. It happens to be organized ...
A traditional Swazi wedding ceremony is called umtsimba (Swazi: [umtsʼimɓa]), where the bride commits herself to her new family for the rest of her life. [1] [2] The ceremony is a celebration that includes members of both the bride's - and the groom's - natal village. There are stages to the wedding that stretch over a few days.
Klezmer (Yiddish: קלעזמער or כּלי־זמר) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. [1] The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions.
Types of women's songs include läleler (literally wild flowers), the songs of unmarried girls, which tend toward sadness and tales of woe; toý aýdymlary (literally celebration songs), which are wedding songs; hüwdüler, lullabies; agylar, lamentations sung at funerals; and monjukatdylar, fortune-telling songs, sung during the Novruz holiday ...
Ohangla is a traditional dance among the Luo community. It was used to celebrate weddings and also in funeral ceremony as part of Tero Buru. Ohangla consists of more than 8 drums hit by a stick and a cylindrical shoulder slung drum played normally to the accompaniment of flute, Nyatiti or kinanda.
In 1968, a woman by the name of Dropati debuted with an album of traditional wedding songs, titled, Lets Sing & Dance. Once again, although religious in nature, Dropati's songs, much like those of Ramdew Chaitoe, went on to become huge pop hits within the East Indian community.
The country-side or desi (native) form of Haryanvi music is based on Raag Bhairvi, Raag Bhairav, Raag Kafi, Raag Jaijaivanti, Raag Jhinjhoti and Raag Pahadi and used for celebrating community bonhomie to sing seasonal songs, ballads, ceremonial songs (wedding, etc.) and related religious legendary tales such as Puran Bhagat.