Search results
Results From The WOW.Com Content Network
A is a 1998 Japanese documentary film about the Aum Shinrikyo cult following the arrest of its leaders for instigating the sarin gas attack on the Tokyo subway in 1995. The film focuses on a young spokesman for the cult Hiroshi Araki, a troubled 28-year-old who had severed all family ties and rejected all forms of materialism before joining the sect.
The second factor was the increasing popularity of Buddhism, which had been introduced to Japan in the mid-6th century and strongly promoted by Prince Shōtoku (574–622). [18] The Sangyō Gisho ("Annotated Commentaries on the Three Sutras"), traditionally attributed to Prince Shōtoku, is the oldest extant Japanese text of any length. [19]
This page was last edited on 19 February 2019, at 01:22 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Documentary films about Japanese war crimes (12 P) Pages in category "Documentary films about Japan" The following 28 pages are in this category, out of 28 total.
Noriaki Tsuchimoto (土本典昭, Tsuchimoto Noriaki) (11 December 1928, in Gifu Prefecture, Japan – 24 June 2008) was a Japanese documentary film director known for his films on Minamata disease and examinations of the effects of modernization on Asia.
Shinsuke Ogawa (小川紳介, Ogawa Shinsuke) (25 June 1935 - 7 February 1992) was a Japanese documentary film director. Ogawa and Noriaki Tsuchimoto have been called the "two figures [that] tower over the landscape of Japanese documentary." [1]
Characteristically, Imamura seeks to investigate an alternative interpretation of recent Japanese history through the eyes of a person living in the lower strata of that society. [4] Beginning with this film, Imamura was to spend the next decade working in the documentary format. He returned to purely fictional narrative with Vengeance is Mine ...
Kamei went to the Soviet Union in 1928 to study filmmaking, but had to return home because of an illness. He eventually began working at Photo Chemical Laboratories (PCL), one of the precursors to Toho, where he made a name for himself making documentaries - or "culture films" (bunka eiga) as they were called at the time - that were strongly influenced by Soviet montage theory.