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Producers: Film producers and executive producers are often well-paid, with a top producer earning a seven-figure salary upfront as well as bonuses and a share of the profits. For Spider-Man (2002), producer Laura Ziskin is estimated to have been paid over $30 million.
The crediting of executive producers in the film industry has risen over time. In the mid-to-late 1990s, there were an average of just under two executive producers per film. In 2000, the number jumped to 2.5 (more than the number of standard "film producers"). In 2013, there were an average of 4.4 executive producers per film. [5]
If you’re going to make a blockbuster — you need some deep pockets. In 1913, Universal produced "Traffic In Souls" for $5,700. But as the industry expanded, so did costs. In Joel Finler’s ...
Some below-the-line film and television film crews operate in pre-production, production, or post-production stages of filmmaking. For example, the film editor may work solely in the post-production stage of filming but might also work throughout the production, editing the film as it is shot and advising the director if and when additional shots or scenes are needed.
Charles’ latest film, ‘D***s: The Musical’, was made with a budget of just $8m
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Typically, a producer will oversee all the cost-related decisions, including above-the-line expenditures (especially during pre-production). However, the UPM is responsible for the more detailed planning and execution of the below-the-line costs (primarily for physical production).
These roles include but are not limited to the screenwriter, producer, director, and principal cast. [1] [2] [3] Often, the term is used for matters related to the film's production budget. Above-the-line expenditures reflect the expected line item compensation for an official above-the-line member's role in a given film project.