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A specialized use is the medieval amplification of texts from the liturgy, such as in the Kyrie Eleison (Kyrie, / magnae Deus potentia, / liberator hominis, / transgressoris mandati, / eleison). The most important example of such a trope is the Quem quaeritis? , an amplification before the Introit of the Easter Sunday service and the source for ...
Troparium (called as such because the tropes of the chant are written down) of St. Michael, who is depicted fighting fantastic birds, 11th century A trope or tropus may refer to a variety of different concepts in medieval , 20th- , and 21st-century music .
The Middle Ages in art: a Pre-Raphaelite painting of a knight and a mythical seductress, the lamia (Lamia by John William Waterhouse, 1905). Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles ...
The beheading game is a literary trope found in Irish mythology and medieval chivalric romance. The trope consists of a stranger who arrives at a royal court and challenges a hero to an exchange of blows: the hero may decapitate the stranger, but the stranger may then inflict the same wound upon the hero. The supernatural nature of the stranger ...
Many Centres / Centers for Medieval Studies exist, usually as part of a university or other research and teaching facility. Umberella organisations for these bodies include the Fédération Internationale des Instituts d’Etudes Médiévales (FIDEM) (founded 1987) and Co-operative for Advancement of Research through Medieval European Network (CARMEN).
Miniature on l. 5 verso of the Codex Amiatinus, which opens the Old Testament.It shows Ezra as a monastic scribe. Florence, Laurentian Library. Historiography in the Middle Ages (in Russian: Средневековая историография, in German: Mittelalterliche Geschichtsschreibung, in French: Historiographie médiévale) is an intentional preservation of the memory of the past in ...
Most historians place the origin of medieval drama in the church's liturgical dialogues and "tropes". At first simply dramatizations of the ritual, particularly in those rituals connected with Christmas and Easter (see Mystery play ), plays were eventually transferred from the monastery church to the chapter house or refectory hall and finally ...
In the late nineteenth century, Walter Frere and the Solesmes monks were the first to refer to these manuscripts as the "Winchester Troper." [2] Despite the implications of the name, the manuscripts are not identical, not part of a set (such as Volume 1 and Volume 2), and contain liturgical genres other than tropes.