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Parke-Bernet Galleries was an American auction house, active from 1937 to 1964, when Sotheby's purchased it. The company was founded by a group of employees of the American Art Association, including Otto Bernet, Hiram H. Parke, Leslie A. Hyam, Lewis Marion and Mary Vandergrift.
Pages in category "Auction houses based in New York City" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes .
The American Art Association (AAA) was founded by James F. Sutton (President of AAA), R. Austin Robertson, and Thomas Kirby (1846–1924) in 1883. [4] Thomas Kirby had grown up in Philadelphia and moved his family to New York in 1876, in the years prior to starting the AAA, he worked at various auction firms and importers in New York. [5]
The actual physical auction catalog is limited to print runs which started in 2005 when the major auction houses created their own app. Since 2020, it is rare that you can purchase the physical auction catalog. The auction is completely cataloged online. [3]: 4 Bidding is done online and the auction results can only be printed online. The ...
In the auction catalogue it was mentioned as an incomplete set of tarot cards dating from the sixteenth century. [2] This is incorrect as the deck is a complete set of playing cards. [ 1 ] Harrie Kenter, a Dutch antiques dealer from Amsterdam paid 8,000 Dutch guilder for it, believing it to be an older object.
The Van Tassell and Kearney Horse Auction Mart is a building in East Village, Manhattan, New York City. The building was constructed in 1903-04 to the designs of Jardine, Kent & Jardine in the Beaux-Arts Style. It originally served as a horse auction mart that catered to New York's elite families, including the Vanderbilts and Delanos.
Guernsey's is an auction house founded by Arlan Ettinger and Barbara Mintz ... Guernsey's was founded by New York City advertising executives Arlan Ettinger and ...
The New York Times has described catalogues raisonnés as the "supreme arbiter of the genuine and fake". [16] In the case of deceased artists, the producer of a catalogue raisonné may have considerable power to determine whether a particular work is regarded as authentic or not. [b]