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The Calling of St Matthew (1599-1600) The Martyrdom of Saint Matthew (1599-1600) El Greco. Christ Driving the Money Changers from the Temple; View of Toledo (1599-1600) Karel van Mander - The Continence of Scipio; Domenico Passignano - Bathers at San Niccolò; Robert Peake - The Procession Picture
Allegory of Peace, Art and Abundance; Amor Vincit Omnia (Caravaggio) Annunciation (El Greco, Illescas) Annunciation (El Greco, Prado, 1600) The Apparition of the Virgin to Saint Hyacinth; Assumption of the Virgin (Annibale Carracci, Rome)
Pages in category "1600s in art" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. 0–9. 1600 in art;
The Calling of Saint Matthew (1599–1600), by Caravaggio. Contarelli Chapel, San Luigi dei Francesi, Rome.The beam of light, which enters the picture from the direction of a real window, expresses in the blink of an eye the conversion of St Matthew, the hinge on which his destiny will turn, with no flying angels, parting clouds or other artifacts.
Many pictures included some land, with a beach or harbour viewpoint, or a view across an estuary. Other artists specialized in river scenes, from the small pictures of Salomon van Ruysdael with little boats and reed-banks to the large Italianate landscapes of Aelbert Cuyp, where the sun is usually setting over a wide river. The genre naturally ...
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Pages in category "1600 paintings" The following 16 pages are in this category, out of 16 total. ... Annunciation (El Greco, São Paulo Museum of Art) B.
The Lutheran churches, as they developed, accepted a limited role for larger works of art in churches, [1] [2] and also encouraged prints and book illustrations. Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes.