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Talking With... is a 1982 play by Jane Martin, published by Samuel French Incorporated. [1] The play is composed of eleven ten-minute monologues, each featuring a different woman who talks about her life. [2]
Actor Christopher Walken performing a monologue in the 1984 stage play Hurlyburly. In theatre, a monologue (from Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience.
An audition for a performing opportunity may be for a single performance (e.g., doing a monologue at a comedy club), for a series or season of performances (a season of a Broadway play), or for permanent employment with the performing organization (e.g., an orchestra or dance troupe). Auditions for performing opportunities may be for amateur ...
In his “Saturday Night Live” monologue, Ramy Youssef called for a free Palestine and for the release of the hostages taken in the Israel-Hamas War. At the top of his monologue, Youssef joked ...
"A Cream Cracker Under The Settee" is a dramatic monologue written by Alan Bennett in 1987 for television, as part of his Talking Heads series for the BBC. The series became very popular, moving onto BBC Radio, international theatre, becoming one of the best-selling audio book releases of all time and included as part of both the A-level and ...
The show's monologues were sourced largely from Beckerman's book. [5] The Ephrons wove together a collection of stories adapted from the book with recollections of friends, including Rosie O'Donnell. [6] [7] One of the monologues that became a highlight of the original production was based on Nora Ephron's 2006 best-seller, I Feel Bad About My ...
The students thunderously applaud — an ovation of rapture, beaming smiles on eager faces. At last their acting teacher has arrived. For years, Gloria Gifford, 75, has been relied on to keep the ...
Not I takes place in a pitch-black space illuminated only by a single beam of light. This spotlight fixes on an actress's mouth about eight feet above the stage, [1] everything else being blacked out and, in early performances, illuminates the shadowy figure of the Auditor who makes four increasingly ineffectual movements "of helpless compassion" during brief breaks in the monologue where ...