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"Red" is a song written and recorded by the American singer-songwriter Taylor Swift for her fourth studio album, Red (2012). She produced the song with Dann Huff and Nathan Chapman . The lyrics are about a tumultuous relationship that ended: the refrain likens the conflicting emotions evoked from the breakup to various colors, including the ...
"Red (Taylor's Version)" Red is famous for being T-Swift's signature lipstick color and one of her fave descriptors when it comes to love (we see you, "Maroon"). But "Red," of course, is one of ...
From "I hope you think of me" to "old habits die screaming," Taylor Swift’s lyrics have "enchanted" us for nearly two decades. Swift has taken listeners from her country roots in 2006's self ...
In 2021, Sheffield placed the song at number one on his ranking of 206 Taylor Swift songs. [206] In a list titled "The 25 Musical Moments That Defined the First Quarter of the 2020s", Billboard described "All Too Well (10 Minute Version)" as the "crown jewel" of Red (Taylor's Version) and one of 2021's "biggest cultural hits". [207]
Red (Taylor's Version) is the second re-recorded album by the American singer-songwriter Taylor Swift.It was released on November 12, 2021, by Republic Records.A re-recording of Swift's fourth studio album, Red (2012), it is part of her re-recording projects following the 2019 dispute over the ownership of her back catalog.
Originally released on Red, Taylor released the ten-minute version, much to fans' delight, on her rerecorded Red (Taylor's Version) album in 2022. The song won her a Grammy and inspired the short ...
Red is regarded as Swift's best album by Jon Bream of the Star Tribune [20] and the editorial staff of Paste. [161] It ranked within the upper tier of Swift's 11-album discography as of 2024 by publications like The Arizona Republic, [162] The New York Times, [163] Slant Magazine, [164] and Spin. [165]
"Forever Winter" [a] is a song by the American singer-songwriter Taylor Swift from her second re-recorded album, Red (Taylor's Version) (2021). She wrote the track with Mark Foster and produced it with Jack Antonoff. It was intended for but excluded from Swift's fourth studio album, Red (2012).