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The Ottoman miniature painting tradition was unique in that artists did not strive to depict their subjects realistically. [5] Some scholars believe that this style of painting developed from shadow puppetry, on account of the sharp geometric edges, as well as the intricate architectural designs. [ 9 ]
Levni's Signature on a miniature painting of a tulip (1720). Levnî Abdulcelil Çelebi (1680s–1732) early 18th century Ottoman court painter (attained the position of court painter during the reign of Mustafa II and Ahmed III). He was a prominent Ottoman miniaturist during the Tulip Period, well-regarded for his traditional yet innovative style.
Abdullah Buhari was an 18th-century Ottoman court miniature painter. He is often described as the most important Ottoman artist of his period. [1] [2] Abdullah Buhari was known for making portraits of women, specializing in female figures and floral still-life. [3]
Thuluth script calligraphy of Ali decorating the Hagia Sophia Grand Mosque Map of Constantinople in Hunername-I, an example of Ottoman miniature Two tiles, circa 1560, fritware, painted in blue, turquoise, red, green, and black under a transparent glaze, Art Institute of Chicago (Chicago, USA) Ortaköy Mosque is a neo-baroque example of the Westernization of late Ottoman architecture
The dedication is to Murad III, also naming his compiler Mehmed Cenderecizade. The Murad III muraqqa was designed much more extravagantly than other Islamic muraqqa and with original nakkashane (Ottoman painting studio) border paintings. [27] This muraqqa contained miniature paintings, ink drawings, and calligraphy, including ghazals.
In 65 scenes the miniature paintings are decorated with gold, depicting battles, receptions, hunts and sieges. Written by Fethullah Arifi Çelebi in Persian verse, [ 2 ] and illustrated by five unnamed artists, the Süleymannâme was the fifth volume of the first illustrated history of the Ottoman dynasty . [ 2 ]