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The Evolution of Gospel is the debut studio album by Sounds of Blackness, released in 1991. [3] In 1992, the album received the Grammy Award for " Best Gospel Choir or Chorus Album ". Track listing
This is the discography of American gospel artist Kirk Franklin.In total, Franklin has won 20 Grammy Awards, [1] 13 Dove Awards and 28 Stellar Awards.Franklin is the best-selling contemporary gospel artist of the SoundScan era and one of the best-selling gospel artists of all-time, with total sales exceeding 15 million, [2] 14.6 of which are certified by the Recording Industry Association of ...
List of gospel songs which have reported sales of 1 million units or higher but are uncertified by the Recording Industry Association of America (RIAA). Though " I'll Take You There " by The Staple Singers was certified Gold on January 31, 2019, for digital sales of 500,000 units, [ 4 ] its physical sales of 1.5 million units, reported on May 6 ...
Rhythm Nation 1814: 1989 — "N.E. Heart Break" † New Edition — Heart Break: 1988 — "Where It All Started" New Edition — Heart Break: 1988 — "Miss You Much" † Janet Jackson
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
Gospel reggae is a genre of music that originated in Jamaica, mixing reggae rhythms with Christian-themed lyrics. Several reggae artists, many of whom were previously part of the Rastafari movement , have converted to Christianity and adopted gospel reggae as their primary style.
The team works with gospel, soul and R&B artists. They are best known for their work on the 1997 debut album Finally Karen recorded by Karen Clark Sheard , [ 1 ] which reached #2 on the U.S. Billboard Gospel Albums chart .
In June 1994, the song was re-released as a remix and became a club hit. Written by Roberts with Danny Poku , who also produced the song, it was well received among music critics, reaching number-one on both the US Billboard Hot Dance Club Play chart and the UK Music Week Dance Singles chart, where it peaked atop both in 1993 and 1994.