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Black Film Review (BFR) was an international publication focusing on films and filmmakers from the African diaspora, with a focus on independent cinema. BFR was published from 1984 to 1995. Its headquarters was in Washington DC .
Cinereach is a nonprofit [1] story incubator and media production company working at the intersection of impact storytelling and popular entertainment. Founded as a film foundation and production company in New York, NY in 2006, the organization provided grants, awards, and an annual fellowship, [2] working closely with other film development organizations such as the Sundance Institute [3 ...
The Handy Foundation holds workshops and apprenticeship programs to train young Black people for roles in the film industry, particularly technical aspects of production such as film editing. The foundation partners with studios and production companies for its career advancement programmes.
In addition to the Film & TV Fund commitment, in response to the devastating L.A.-area wildfires, the Adobe Foundation is making a $1 million donation across the California Community Foundation ...
The Action Fund has an advisory council which includes Ford Foundation president Darren Walker, literary critic and author Henry Louis Gates Jr., educator and historian Lonnie Bunch and actress Phylicia Rashad to name a few. Donors to the Fund have included philanthropist MacKenzie Scott who made a $20 million gift in 2021. [4]
In 2022, only 0.1% of venture capital funding went to Black and Latino women founders and only 0.036% went to Black women. When the Fearless Foundation launched a contest to award $20,000 grants ...
Five documentary filmmakers have been chosen to receive Catapult Film Fund’s annual research grant. Each recipient will receive $10,000 in direct support and six months of mentorship from ...
The 1970s Black variant sought to tell Black stories with Black actors to Black audiences, but they were usually not produced by African Americans. As Junius Griffin, the president of the Hollywood branch of the NAACP , wrote in a New York Times op-ed in 1972: "At present, Black movies are a 'rip off' enriching major white film producers and a ...