Search results
Results From The WOW.Com Content Network
In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness , the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall ...
In Greek mythology, King Erichthonius (/ ə r ɪ k ˈ θ oʊ n i ə s /; Ancient Greek: Ἐριχθόνιος, romanized: Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena.
The Romans identified Vulcan with the Greek smith-god Hephaestus. [16] Vulcan became associated like his Greek counterpart with the constructive use of fire in metalworking. A fragment of a Greek pot showing Hephaestus found at the Volcanal has been dated to the 6th century BC, suggesting that the two gods were already associated at this date. [12]
The Sintians worshipped Hephaestus. They are mentioned in Homer : in the Iliad [ 7 ] as the folk who had tended Hephaestus in Lemnos after the lame smith god was let fall to earth; the Sintians "of wild speech" (ἀγριόφωνοι agriophonoi ) also appear in the Odyssey ; [ 8 ] in the tradition reported by Homer it was understood by their ...
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
In Greek mythology, Cedalion or Kedalion (Classical Greek Κηδαλίων) was a servant of Hephaestus in Lemnos. According to one tradition, he was Hephaestus's tutor, with whom Hera fostered her son on Naxos to teach him smithcraft. [1] Kerenyi compares him to the Cabeiri, to Chiron, and to Prometheus. [2]
Zeus is angry at Eros, who pleads for forgiveness, arguing that he is just a small child.Zeus, however, is not convinced, considering Eros' ancient age. Zeus demands to know why Eros continues to play tricks on him, causing him to transform into various forms: a satyr [note 1], a bull [note 2], gold [note 3], a swan [note 4], and an eagle [note 5], because Eros never makes women reciprocate ...
In Greek vase paintings, particularly from 5th century Athens, Eucleia is frequently shown among the attendants of Aphrodite, where she represents the good repute of a chaste bride or is performing stereotypically feminine tasks. [5] [1] She was also referred by ancient Greek author Bacchylides as "garland-loving". [6]