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This category contains typefaces in the old style serif classification, including both Venetian and Garalde varieties. These faces date back to 1465 and are reminiscent of the humanist calligraphy. This is not for any "old" typeface, such as old English or Fraktur. For that, please see Category:Blackletter typefaces.
Class: Old style : Garamond Designer: Claude Garamond & Jean Jannon Class: Old style : Gentium Designer: Victor Gaultney Class: Other : Georgia Designer: Matthew Carter Class: Transitional : Goudy Old Style Designer: Frederic Goudy Class: Old style : Granjon Designer: George Wallace Jones Class: Old style : Hoefler Text Designer: Jonathan ...
Serifs originated from the first official Greek writings on stone and in Latin alphabet with inscriptional lettering—words carved into stone in Roman antiquity.The explanation proposed by Father Edward Catich in his 1968 book The Origin of the Serif is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush ...
Especially the New Book Art movement, which formed in the decade before World War I, was influenced by the Arts and Crafts Movement. The young type designers of the pre-war era, among them Fritz Helmuth Ehmcke and Friedrich Wilhelm Kleukens , rejected both the late typographical classicism and the ornaments of the popular art nouveau.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Geometric designs have no bracketing and evenly weighted stems and serifs. Early examples include Memphis, Rockwell, Karnak, Beton, Rosmini, City and Tower, several of which were influenced by geometric sans-serifs of the 1920s and 30s, especially Futura. [3] Recent well-known geometric sans-serifs include ITC Lubalin, Neutraface Slab and Archer.
While most of his designs are 'old-style' serif faces, they do still explore a wide range of aspects of the genre, with Deepdene offering a strikingly upright italic, Goudy Modern merging traditional old-style letters with the insistent, horizontal serifs of Didone faces of the eighteenth and nineteenth centuries and Goudy Old Style being sold ...
Old Style, later referred to as modernised old style, was the name given to a series of serif typefaces cut from the mid-nineteenth century and sold by the type foundry Miller & Richard, of Edinburgh in Scotland. It was a standard typeface in Britain for literary and prestigious printing in the second half of the nineteenth century and the ...