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Original file (1,168 × 1,600 pixels, file size: 10.98 MB, MIME type: application/pdf, 141 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The drawing was the subject of copies by followers, including one in particular that was sometimes even attributed to the master, and in any case was contemporary with him. This drawing is now attributed to Salai with great reservations. Its interest lies in the fact that it has a larger format than the original, leading researchers to believe ...
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
Successful Drawing (1951). Republished in a revised edition as Three Dimensional Drawing (16 new pages with technical material on perspective replacing the pictorial gallery sections) and reissued as a full facsimile of the original on May 4, 2012, from Titan Books. Drawing the Head and Hands (1956). Reissued as a full facsimile of the original ...
First angle projection is often used throughout parts of Europe so that it is often called European projection. Third-angle projection: In this type of projection, the object is imagined to be in the third quadrant. Again, as the observer is normally supposed to look from the right side of the quadrant to obtain the front view, in this method ...
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Andrew_Loomis,_Successful_Drawing.pdf (312 × 435 pixels, file size: 22.69 MB, MIME type: application/pdf, 151 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Greuze's "Retour sur soi-même" was an example of a bad likeness of the head of an old woman, because classical drawing theory was applied which was based on a young adult male's head. Merely adding wrinkles and a costume cannot help a poor likeness. The Moor, an etching by Jan de Visscher after a drawing by his brother Cornelis