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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The stitching on the cloth gives it a slightly wrinkled, wavy effect. Contemporary kantha is applied to a wider range of garments such as sarees, dupatta, shirts for men and women, bedding and other furnishing fabrics, mostly using cotton and silk. Modern Kantha-stitch craft industry involves a very complex multi-staged production model. [6]
Traditionally, old sarees, lungis, and dhotis were used to make kanthas. Kantha making was not a full-time occupation; women in almost every household were experts in the art. Rural women worked during their leisure time or the rainy season, so it was common for a kantha to take months or even years to complete. At least three to six sarees ...
To make the dyes, pigments like ferrous sulfate and alum are boiled in water and mixed with tamarind seed powder to make a paste, which acts as black and red dyes respectively. [ 1 ] [ 6 ] [ 8 ] [ 9 ] Other colors like indigo, mustard, and khaki can be made using indigo leaves, dhavdi leaves, or pomegranate rinds.
Ilkal traditional saris are produced mainly on pit looms with the combination of three types of different yarns namely Silk x Silk, Silk x Cotton, Art silk x Cotton. Along with the above said yarn combination totally four different traditional designs are produced - they are Chikki Paras, Gomi, Jari and recently modified traditional design ...
The yarn is stretched from both the sides in opposite directions putting some force with both palms. This process is needed to make the yarn crisper. Motif making: Making of the motifs for 'pallavs' and other part of Baluchari is in itself an intricate process. The design is drawn on a graph paper, it is coloured and punching is done using cards.
A needle is the main stitching tool in embroidery, and comes in various sizes and types. [33] In both canvas work and surface embroidery an embroidery hoop or frame can be used to stretch the material and ensure even stitching tension that prevents pattern distortion. [34]
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe , with one end attached to the waist, while the other end rests over one shoulder as a stole , [ 3 ] sometimes baring a part of the midriff .