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The border of the sari is very broad (4 to 6 inches) and red or maroon in colour and is made of different designs with ochre patterns. The sari is either made of cotton, or a mixture of cotton and silk or in pure silk. The colors traditionally used are pomegranate red, brilliant peacock green and parrot green.
The stitching on the cloth gives it a slightly wrinkled, wavy effect. Contemporary kantha is applied to a wider range of garments such as sarees, dupatta, shirts for men and women, bedding and other furnishing fabrics, mostly using cotton and silk. Modern Kantha-stitch craft industry involves a very complex multi-staged production model. [6]
Traditionally, old sarees, lungis, and dhotis were used to make kanthas. Kantha making was not a full-time occupation; women in almost every household were experts in the art. Rural women worked during their leisure time or the rainy season, so it was common for a kantha to take months or even years to complete. At least three to six sarees ...
The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
The shuttle is thrown from side-to-side by the weaver. Other weavers use a fly-shuttle loom which can produce different types of patterns. The saris can vary in size and quality. [1] Handloom sari weaving is generally a family business and is one of India's cottage industries. [3] The handloom saris are made from silk or cotton threads.
The yarn is stretched from both the sides in opposite directions putting some force with both palms. This process is needed to make the yarn crisper. Motif making: Making of the motifs for 'pallavs' and other part of Baluchari is in itself an intricate process. The design is drawn on a graph paper, it is coloured and punching is done using cards.
The "pallu" (loose end of a saree) part of the saree or the fabric is made in a contrast colour by tying it firmly before subjecting it to a further process of treating in a solution of groundnut oil and alkaline earth. In this process, the fabric dipped in the solution is tamped well by foot several times and kept in a wet state for 2–3 days.
Gold threads are used in double and one of the finest varieties so much so that the closely woven surface looks like a mirror. The texture of the fabric is fairly compact with about 160 ends and 170 picks per inch (2.6 cm). Zari is a metallic yarn, made of pure silver. Originally, zari was manufactured in Yeola; Surat now being another zari ...