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Streets of New York, a 2006 album by Willie Nile "Streets of New York" (Kool G Rap & DJ Polo song) "Streets Of New York", a 1981 song by The Wolfe Tones, reached #1 in Ireland
"Streets of New York" is the first single from American hip hop duo Kool G Rap & DJ Polo's 1990 album Wanted: Dead or Alive. It was released as a single with "Poison" as a B-side and was later included on the compilation albums Killer Kuts (1994), The Best of Cold Chillin (2000), Greatest Hits (2002) and Street Stories: The Best of Kool G Rap & DJ Polo (2013).
Streets of New York (2006) is the fifth studio album by New York City based singer/songwriter Willie Nile. This is Nile's tribute to the city that gave him international exposure to the music world through the critical eyes and ears of The New York Times .
Streets of New York (song) Streets of Philadelphia; Sunny Goodge Street; Sunny Side of the Street (song) Sunset Blvd (song) T. Time After Time (Hana Mau Machi de) W.
"Every Street's a Boulevard (In Old New York)" by Jule Styne / Bob Hilliard, From the Broadway musical "Hazel Flagg" (1953) covered by Dean Martin & Jerry Lewis & others "Everybody's Going to the Devil in New York" (music by Gus Edwards; lyrics by Edward Gardenier) "Everybody's Shakin' Hands On Broadway" by Luv'
The Streets of New York is a musical with book and lyrics by Barry Alan Grael and music by Richard B. Chodosh. Based on the play of the same name by Dion Boucicault, it was originally written for the 1948 Varsity Show at Columbia University, with music by Chodosh and Philip Springer and book by Alan Koehler and Joseph Meredith.
The New York club scene is an important part of the city's music scene, the birthplace of many styles of music from disco to punk rock; some of these clubs, such as Studio 54, Max's Kansas City, Mercer Arts Center, ABC No Rio, and CBGB, reached iconic statuses in the United States and the world.
"The Streets of New York" is a song originally published by M. Witmark & Sons. The song was from the musical comedy The Red Mill . The song was composed by Victor Herbert and typically plays at the end of Act II in The Red Mill .