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Purfling is a narrow decorative edge inlaid into the top plate and often the back plate of a stringed instrument. It was originally made of laminated strips of wood, and later nacre and other hard inlay materials. Plastic is commonly used in modern mass-produced instruments. Purfling may affect the instrument's acoustics.
The violin shows influence from Amati and the model is based on Amati's violins, but the narrow purfling differs from Amati's style. [3] c. 1666 The violin was owned by Eugene Sarbu. [4] Aranyi: 1667 Francis Aranyi (collector) Sold at Sotheby's London, 12 November 1986. [5] Dubois: 1667 Canimex Inc. On display at the Chimei Museum. ex-Captain ...
Like the decorated Stradivarius violins in the Spanish Royal Collection, the instrument has a label with a date of 1709. [1] [2] The decoration is elaborate inlay motif of flowers, vines, and animals, the designs conceived by Stradivari himself. The purfling is a wide band of
Painted-on faux purfling on the top is usually a sign of an inferior violin. A slab-sawn bass bar fitted inside the top, running lengthwise under the bass foot of the bridge, gives added mass and rigidity to the top plate. Some cheaper mass-produced violins have an integral bass bar carved from the same piece as the top.
Amati's first violins were smaller than modern violins, with high arches, wide purfling, and elegantly curved scrolls and bodies. [ 13 ] Andrea Amati's two sons, Antonio Amati and Girolamo Amati , were also highly skilled violin makers, as was his grandson Nicolò Amati , who had over a dozen highly regarded apprentices, including Antonio ...
The violin, sometimes referred as a fiddle, [a] is a wooden chordophone, ... Painted-on faux purfling on the top is usually a sign of an inferior instrument.
Once the new owner of the 'Balfour' violin realized his mistake, civil court proceedings were instigated that resulted in an out-of-court settlement." [4] The construction of the "Balfour" Stradivarius was an attempt of good effort but not entirely convincing: "The purfling is ebony, an obvious sign that the violin could not be a genuine ...
Valentino Siani (c.1595–1672) was an Italian violinmaker who worked in Brescia and Florence.. He was a pupil of Giovanni Paolo Maggini in Brescia (c.1610–1620) before he moved to Florence in c.1620 where he worked c.1620–1670.