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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
To Be or Not to Be offers the reader the option to play as one of three characters: Hamlet, Ophelia, or Hamlet Sr., King of Denmark.From there the story branches frequently, with some options following the course of the original play and others providing the choice to give up on the quest to kill King Claudius, or to follow other pursuits (Ophelia, for example, is a keen scientist who can ...
A radio drama adaptation of To Be or Not to Be was produced by the Screen Guild Theatre on January 18, 1943, starring William Powell and Diana Lewis. The film was remade by 20th Century Fox under the same name, To Be or Not to Be, in 1983. It was directed by Alan Johnson and starred Mel Brooks and Anne Bancroft.
A synopsis (pl.: synopses) is a brief summary of the major points of a subject or written work or story, either as prose or as a table; an abridgment or condensation of a work. Synopsis or synopsys may also refer to: Video synopsis, an approach to create a short video summary of a long video
As explained in Wikipedia:Plot-only description of fictional works, an encyclopedia article about a work of fiction frequently includes a concise summary of the plot. The description should be thorough enough for the reader to get a sense of what happens and to fully understand the impact of the work and the context of the commentary about it.
If a film article does not have an infobox, editors are encouraged to add one, which will italicize the article title and provide overview information about the film. If there is a reason not to add an infobox, the {{Italic title}} template can be added instead. If a film article's title exceeds 50 characters, it will not be italicized ...
Anna does not show up at the stage door because Ehrhardt has cornered her in her dressing room, but when Frederick comes to get her disguised as Hitler, Ehrhardt panics and lets her go. At the airport German security spots the costumed troupe members and catch on to the deception, but Sobinski pilots the plane off the ground and over to England.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...