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The compositions by Johann Sebastian Bach that had been printed during his lifetime were nearly exclusively instrumental works. Moreover, by the time Bach died in 1750 it was forgotten that a few of his vocal works (BWV 71, BWV 439–507,...) had indeed been printed in the first half of the 18th century. [1]
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W B93 \ March in B-flat major W BInc1 \ Sonata for guitar & violin in C major W BInc2 \ Trio for 2 flutes & cello in G major W BInc3 \ Trio for harp, violin & cello in B-flat major W BInc4 \ Keyboard Quartet in A major W BInc5 \ String Quintet in B-flat major W BInc6 \ Divertimento (lost) W BInc7 \ Symphony for winds No.1 in E-flat major
This article lists the fugal works of Johann Sebastian Bach, defined here as the fugues, fughettas, and canons, as well as other works containing fugal expositions but not denoted as fugues, such as some choral sections of the Mass in B minor, the St Matthew Passion, the St John Passion, and the cantatas.
Kyrie I is in B minor, Christe in D major, Kyrie II in F-sharp minor. The three notes B, D and F-sharp form the B minor triad. Butt notes D major as the central key, corresponding to the "atonement of Christ". [17] The Gloria is structured in symmetry as a sequence of choral movements and solo movements, arias and a central duet, in three sections.
Large choirs (red background): Large (unspecified), Bach (choir dedicated to Bach's music, founded in the mid-20th century, Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra) Medium-size choirs, such as Chamber, Chorale (choir dedicated mostly to church music), Motet