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Merleau-Ponty died suddenly of a stroke in 1961 at age 53, apparently while preparing for a class on René Descartes, leaving an unfinished manuscript which was posthumously published in 1964, along with a selection of Merleau-Ponty's working notes, by Claude Lefort as The Visible and the Invisible.
The philosopher A. J. Ayer criticized Merleau-Ponty's arguments against the sense datum theory of perception, finding them inconclusive. He considered Merleau-Ponty's inclusion of a chapter on sexuality surprising, suggesting that Merleau-Ponty included it to give him an opportunity to revisit the Hegelian dialectic of the master and the slave.
Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), [4] which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, [5] and in The Forgetting of ...
It was first used by Maurice Merleau-Ponty [1] (French: invagination) to describe the dynamic self-differentiation of the 'flesh'. It was later used by Rosalind E. Krauss and Jacques Derrida ("The Law of Genre", Glyph 7 , 1980); for Derrida, an invaginated text is a narrative that folds upon itself, "endlessly swapping outside for inside and ...
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Taking this one stage further, the clue word can hint at the word or words to be abbreviated rather than giving the word itself. For example: "About" for C or CA (for "circa"), or RE. "Say" for EG, used to mean "for example". More obscure clue words of this variety include: "Model" for T, referring to the Model T.
Merleau-Ponty was also keenly aware that philosophy is not produced ex-nihilo, but within a tradition, so much of his jargon is a deliberate deformation of concepts he's inherited from Husserl, Kant, Hegel, Heidegger and Sartre.