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Merleau-Ponty died suddenly of a stroke in 1961 at age 53, apparently while preparing for a class on René Descartes, leaving an unfinished manuscript which was posthumously published in 1964, along with a selection of Merleau-Ponty's working notes, by Claude Lefort as The Visible and the Invisible.
Merleau-Ponty attempts to define phenomenology, which according to him has not yet received a proper definition.He asserts that phenomenology contains a series of apparent contradictions, which include the fact that it attempts to create a philosophy that would be a rigorous science while also offering an account of space, time and the world as people experience them.
His first work published in French, La visibilité de l’invisible. Merleau-Ponty entre Cézanne et Proust (2001), was praised for its "mosaic" of voices - Franco Paracchini, in a review in Les Études philosophiques, distinguished the voices of Merleau-Ponty, of Carbone, and later of Proust and Cézanne, and admired the overview of the ...
Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), [4] which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, [5] and in The Forgetting of ...
It was first used by Maurice Merleau-Ponty [1] (French: invagination) to describe the dynamic self-differentiation of the 'flesh'. It was later used by Rosalind E. Krauss and Jacques Derrida ("The Law of Genre", Glyph 7 , 1980); for Derrida, an invaginated text is a narrative that folds upon itself, "endlessly swapping outside for inside and ...
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