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Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In monoprinting, an artist creates a reusable template of the intended image. Templates may include stencils, metal plates and flat stones. This form of printing produces multiple prints from the same template.
Above (artist) Articulate Ink (collective, founding members Amber Dalton, Caitlin Mullan, and Michelle Brownridge, later joined by Karli Jessup) Katie Baldwin Sc
The SÅsaku-hanga movement advocated artistic creation as originating from the self, and promoted expressing emotions through woodblock print art. At this time, Kitaoka virtually gave up oil painting to focus on woodblock printing, contributing prints to the First Thursday Society's publication in 1947 and 1948, and his 1949 print series The ...
In 1961 the artist married art historian Lucy Lippard. They had a son together, Ethan Ryman, in 1964, who was first a sound engineer and now an artist. The marriage ended in divorce. In 1969 he married artist Merrill Wagner. [3] Robert Ryman's sons from his second marriage, Cordy Ryman and Will Ryman, are also artists and currently work in New ...
Mythological scene with Apollo, Fame, and the Muses by Antoon Sallaert. Monotyping is a type of printmaking made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass.
Although some artists owned their own printing presses, the movement created the new figure of the star printer, who worked closely with artists to exploit all the possibilities of the etching technique, with variable inking, surface tone and retroussage, and the use of different papers. Societies and magazines were also important, publishing ...
David L. Faber (born 1950) is an American master printer, and is Professor of Art and Head of Printmaking at Wake Forest University. [1]Some of his most notable works include: Aberdeen Headlands, a monotype print, Holstein Poetry-Cantenary Curve, an intaglio print, Three Dances of the Poet, an intaglio print, Prairie Pedigree, an intaglio print, Saint Anna of Silos and Air, a lithograph, and ...