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The Carmen contra paganos ("Song against the pagans"), also called the Carmen adversus Flavianum ("Song against Flavian"), is an anonymous 4th- or 5th-century Latin poem in 122 hexameters condemning a brief restoration of paganism at Rome.
The Restoration was an age of poetry. Not only was poetry the most popular form of literature, but it was also the most significant form of literature, as poems affected political events and immediately reflected the times. It was, to its own people, an age dominated only by the king, and not by any single genius.
Sappho 2 is a fragment of a poem by the archaic Greek lyric poet Sappho.In antiquity it was part of Book I of the Alexandrian edition of Sappho's poetry. Sixteen lines of the poem survive, preserved on a potsherd discovered in Egypt and first published in 1937 by Medea Norsa.
Thomas Traherne (/ t r ə ˈ h ɑːr n /; 1636 or 1637 – c. 27 September 1674) was an English poet, Anglican cleric, theologian, and religious writer.The intense, scholarly spirituality in his writings has led to his being commemorated by some parts of the Anglican Communion on 10 October (the anniversary of his burial in 1674) or on 27 September.
John Wilmot, 2nd Earl of Rochester (1 April 1647 – 26 July 1680 ()) [4] was an English poet and courtier of King Charles II's Restoration court, who reacted against the "spiritual authoritarianism" of the Puritan era. [3]
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant.His 1667 epic poem Paradise Lost, written in blank verse and including twelve books, was written in a time of immense religious flux and political upheaval.
Epipsychidion opens with an invocation to Emilia as a spiritual sister of the speaker. He addresses her as a "captive bird" for whose nest his poem will be soft rose petals. He calls her an angel of light, the light of the moon seen through mortal clouds, a star beyond all storms. In a letter of 18 June 1822, Shelley described the work: