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Southern hip hop (Dirty south) . Atlanta hip hop. Snap; Trap; Houston hip hop. Chopped and screwed; Louisiana Bounce - from New Orleans, Louisiana; Jigga music - from Baton Rouge, Louisiana
The idea of mixtapes was conceived in the early 1970s with the genesis of hip-hop. In the 1970s, DJs such as Grandmaster Flash and the Furious Five, Afrika Bambaataa, and DJ Hollywood would often distribute recordings of their club performances through cassette tapes, bringing a wider audience to the hip-hop sound. [8]
These "Whipped Cream Mixes" combined a pair of Public Enemy a cappellas with instrumentals by Herb Alpert and the Tijuana Brass. First released on home-made cassettes in early 1992, it was later pressed on 7" vinyl, and distributed by Eerie Materials in the mid-1990s.
Hip-hop or hip hop (formerly known as disco rap) [7] [8] is a genre of popular music that emerged in the early 1970s in New York City. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising ...
Unlike its southern musical counterparts Houston's rap style has consistently remained slower, even in the beginning of Houston hip hop, as can be heard on the earliest Houston based group Geto Boys records from the mid to late 80's. It is unknown when DJ Screw definitively created "screwed and chopped" music. Screw's former manager Charles ...
In 1985, the track "Lesson 3 — The History of Hip-Hop Mix", attempted a survey of the great breakdancing favorites, along with snippets from The Tonight Show Starring Johnny Carson and Archie Bleyer's version of the song "Hernando's Hideaway". Later in 1985, the group's first album, Lessons 1-3, was released, containing all three "Lessons".
Hip hop was starting to become big money and the cult of personality started to take over. Hip hop became very much at the service of the rapper and Cash Money and DJ Jazzy Jeff were accorded maybe one track on an album – for example, DJ Jazzy Jeff's " A Touch of Jazz " (1987) and " Jazzy's in the House " (1988) and Cash Money's "The Music ...
The roots of the megamix come from the practice of sampling in disco and hip-hop music. [1] Navas cites hip-hop artist Grandmaster Flash's "The Adventures of Grandmaster Flash on the Wheels of Steel" (1981), particularly the manner in which the track cuts and switches between different songs, as an influence on megamixes "that were produced in ...