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The Harvard Dictionary of Music is a standard music reference book published by the Belknap Press of Harvard University Press. The first edition, titled Harvard Dictionary of Music, was published in 1944, and was edited by Willi Apel. The second edition, also edited by Apel, was published in 1969.
Willi Apel (10 October 1893 – 14 March 1988) was a German-American musicologist and noted author of a number of books devoted to music. Among his most important publications are the 1944 edition of The Harvard Dictionary of Music and French Secular Music of the Late Fourteenth Century.
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Brown was editor of Renaissance Music in Facsimile, published 1977–1982, and was the general editor of several other monument series of musical editions. He contributed prolifically to the New Grove Dictionary of Music and Musicians. He served as president of the American Musicological Society, 1978–80.
Harvard Dictionary of Music. Cambridge: Harvard University Press. ISBN 978-0-674-37501-7. Lang, Paul Henry. 1941. Music in Western Civilization. New York: W. W. Norton, pp. 585ff. Reprinted 1997, ISBN 978-0-393-04074-6. Newman, William S. 1963. The Sonata in the Classic Era. A History of the Sonata Idea 2.
The second definition of period in the New Harvard Dictionary of Music states: "A musical element that is in some way repeated," applying "to the units of any parameter of music that embody repetitions at any level." [15] In some sub-Saharan music and music of the African diaspora, the bell pattern embodies this definition of period. [16]
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Thomas Forrest Kelly was born in Greensboro, North Carolina.He attended Groton School, and the University of North Carolina at Chapel Hill (A. B. 1964). [1] Two years in France on a Fulbright grant allowed him to study organ with Jean Langlais privately and at the Schola Cantorum de Paris (diplôme de virtuosité 1966), and the Royal Academy of Music (LRAM 1964). [2]