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The Works Progress Administration (WPA; renamed in 1939 as the Work Projects Administration) was an American New Deal agency that employed millions of jobseekers (mostly men who were not formally educated) to carry out public works projects, [1] including the construction of public buildings and roads.
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [2] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design, and arts and crafts. [3]
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects.
[6]: 58–59 [7] This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
Federal Project Number One, also referred to as Federal One (Fed One), is the collective name for a group of projects under the Works Progress Administration, a New Deal program in the United States. Of the $ 4.88 billion allocated by the Emergency Relief Appropriation Act of 1935 , [ 1 ] $27 million was approved for the employment of artists ...
George Dillard's oral history was recorded in 1936 for the Slave Narrative Collection by the Federal Writers' Project. Notable FWP projects included the Slave Narrative Collection, a set of interviews that culminated in more than 2,300 first-person accounts of slavery and 500 black-and-white photographs of former slaves. [4]
The Federal Music Project of the Works Progress Administration: Music in a Democracy (University of Minnesota Press, 1963) Gough, Peter, and Peggy Seeger, Sounds of the New Deal: The Federal Music Project in the West (2015) Galván, Gary. "The ABCs of the WPA Music Copying Project and the Fleisher Collection". American Music. 26, Number 4 ...
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.