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Paris quartets (12) for flute, violin, viola da gamba or cello, and continuo (1730 and 1738) Edgard Varèse: Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet
Like the Irish flute and the tin whistle, the ancient fife is a six-hole simple system flute. These flutes are unable to play all chromatic pitches, while many of the chromatic pitches which they can play are grossly out of tune.
The whistle's fingering system is similar to that of the six-hole, "simple system Irish flutes" ("simple" in comparison to Boehm system flutes). The six-hole, diatonic system is also used on baroque flutes, and was of course well-known before Robert Clarke began producing his tin whistles. Clarke's first whistle, the Meg, was pitched in high A ...
The B flat atenteben is a transposing instrument, i.e. its music is written in a tone higher than the actual sounds, but a written music for the C atenteben (also referred to as atenteben-ba) directly agrees with the sounds on piano. It is an end-blown instrument with six top holes and one bottom hole.
A recorder designed for German fingering has a hole five that is smaller than hole four, whereas baroque and neo-baroque recorders have a hole four that is smaller than hole five. The immediate difference in fingering is for F (soprano) or B ♭ (alto), which on a neo-baroque instrument must be fingered 0 123 4–67.
Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound , the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut ...