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The term fan fiction has been used in print as early as 1938; in the earliest known citations, it refers to amateur-written science fiction, as opposed to "pro fiction". [3] [4] The term also appears in the 1944 Fancyclopedia, an encyclopaedia of fandom jargon, in which it is defined as "fiction about fans, or sometimes about pros, and occasionally bringing in some famous characters from ...
OCs are used in various subcultures including the Star Wars fandom, the Harry Potter fandom, [1] and other subcultures such as the Sonic the Hedgehog fandom. Takashi Iizuka mentioned that the character customization system in Sonic Forces was influenced by the Sonic community's tendency to create original characters; [8] tools for creating Sonic OCs exist on sites like Newgrounds. [9]
Some fans write fan fiction ("fanfic"), stories based on the universe and characters of their chosen fandom. This fiction can take the form of video-making as well as writing. [25] Fan fiction may or may not tie in with the story's canon; sometimes fans use the story's characters in different situations that do not relate to the plot line at all.
The Mary Sue figure has acquired a pejorative reputation in fan communities [23] as a character who is too perfect to be believable. [4] According to Bacon-Smith, the label is "the most universally denigrated genre in the entire canon of fan fiction" [2] and may represent "self-imposed sexism" by limiting the qualities allowed for female ...
The canon of a work of fiction is "the body of works taking place in a particular fictional world that are widely considered to be official or authoritative; [especially] those created by the original author or developer of the world". [2] Canon is contrasted with, or used as the basis for, works of fan fiction and other derivative works. [3]
Unlike typical fan fiction, which generally remains within the boundaries of the canon set out by the source material, alternative universe fan fiction writers explore the possibilities of pivotal changes made to characters' history, motivations, or environment, often combining material from multiple sources for inspiration.
The editor in chief of the North American Journal of Psychology has spent more than two decades researching fan behavior and defining its different expressions, finding that it can be innocent but ...
American psychologists Sheryl C. Wilson and Theodore X. Barber first identified FPP in 1981, said to apply to about 4% of the population. [3] Besides identifying this trait, Wilson and Barber reported a number of childhood antecedents that likely laid the foundation for fantasy proneness in later life, such as, "a parent, grandparent, teacher, or friend who encouraged the reading of fairy ...