Search results
Results From The WOW.Com Content Network
Seamus Justin Heaney MRIA (13 April 1939 – 30 August 2013) was an Irish poet, playwright and translator.He received the 1995 Nobel Prize in Literature.Among his best-known works is Death of a Naturalist (1966), his first major published volume.
Death of a Naturalist (1966) is a collection of poems written by Seamus Heaney, who received the 1995 Nobel Prize in Literature.The collection was Heaney's first major published volume, and includes ideas that he had presented at meetings of The Belfast Group.
North (1975) is a collection of poems written by Seamus Heaney, who received the 1995 Nobel Prize in Literature.It was the first of his works that directly dealt with the Troubles in Northern Ireland, and it looks frequently to the past for images and symbols relevant to the violence and political unrest of that time.
The book is a collection of Seamus Heaney's poems published between 1966 and 1996. It includes poems from Death of a Naturalist (1966), Door into the Dark (1969), Wintering Out (1972), Stations (1975), North (1975), Field Work (1979), Station Island (1984), The Haw Lantern (1987), Seeing Things (1991), and The Spirit Level (1996).
But what makes Seamus Heaney's writing so fortifying is, partly, his temperament: his human chain is tolerant, durable, compassionate and every link is reinforced by literature." [3] Luke Smith of The Oxonian Review wrote, "Heaney is now 71, and Human Chain is his first book since the stroke. It should not surprise us, then, that the poems here ...
Collected Poems is a spoken-word recording of the Nobel Prize-winning poet Seamus Heaney reading his own work. It was released by RTÉ to mark his 70th birthday, [1] [2] which occurred on 13 April 2009. [3]
The Spirit Level is a 1996 poetry collection written by Seamus Heaney, who received the 1995 Nobel Prize in Literature. It won the poetry prize for the 1996 Whitbread Awards. [1] Heaney has been recorded reading this collection on the Seamus Heaney Collected Poems album.
Mary P. Brown, a lecturer at the New University of Ulster, found Heaney's conflicted emotions to represent an indictment of art itself, writing that, "Heaney's self accusation in the last four stanzas of the poem is directed at both the man and the poet. The poem has been bought at the expense of action: art stands accused."