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Throughout Europe and Asia Minor, during the entire Renaissance period and even for some time beyond, the sumptuous Italian gold-brocaded red velvets with the pomegranate motif, the zetani vel lutati al lucciolati recorded in contemporary documents, were an indication of high social status: luxury, power and sacredness.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Style in men's and women's footwear was the same in this period. Shoes for men and women were flat, and often slashed and fastened with a strap across the instep. They were made of soft leather, velvet, or silk. Broad, squared toes were worn early, and were replaced by rounded toes in the 1530s.
In the 1400s, women's fashion shifted from high-necked gowns and braided hair wrapped around the head to layered V-shaped necklines and longer braids. Gathered and pleated skirts were popular. [6] [7] Women's fashion at the time could be defined by one word: fullness. While men worked to accentuate the top portion of their bodies, women did the ...
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not ...
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable " fashion " in clothing, [ 1 ] in which Fernand Braudel concurs. [ 2 ]
Male and female clothing became remarkably similar, with many men's garments differing substantially from women's dress only in hem length, with the fanned sleeves common in the previous century vanishing from the latter and tightly buttoned sleeves becoming common. [1] While most items of clothing, especially outside the wealthier classes ...