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Every Time I Feel the Spirit is a 1959 studio album by Nat King Cole, of spirituals, arranged by Gordon Jenkins. Cole is accompanied by the First Church of Deliverance Choir of Chicago, Illinois. [4] The album was re-issued by Capitol Records in 1966 under the new title, Nat King Cole Sings Hymns and Spirituals.
The following idea, "Sondern der Geist selbst vertritt uns" (but the Spirit itself intercedes for), is given as a fugue, first with independent entrances of all eight parts, but concentrated to four parts in the end, "mit unaussprechlichem Seufzen" (with unutterable sighs). [6] The sighs are audible in the broken melodic lines of all voices. [7]
Stained glass representation of the Holy Spirit as a dove, c. 1660. The Intercession of the Spirit is the Christian belief that the Holy Spirit helps and guides believers who search for God in their hearts. [1] In the Epistle to the Romans Saint Paul states: [1] In the same way, the Spirit helps us in our weakness.
Every time I feel the Spirit moving in my heart I will pray. Yes, every time I feel the Spirit moving in my heart I will pray Verse 1 Upon the mountain, my Lord spoke, out his mouth came fire and smoke. All around me, looks so shine, ask my Lord if all was mine. [Refrain] Verse 2 Jordan River, runs right cold, chills the body not the soul.
Pages of Life - Chapters I & II is the fifth album from contemporary gospel singer Fred Hammond.The album was released on April 28, 1998 through Verity Records and Zomba Recording Corporation.
Prayer is an invocation or act that seeks to activate a rapport with an object of worship through deliberate communication.In the narrow sense, the term refers to an act of supplication or intercession directed towards a deity or a deified ancestor.
When it was her turn to play, she interrupted host Steve Harvey to sing her very own theme song. "Holy Spirit activate! Holy Spirit activate!" Phillips chanted while dancing and clapping. Phillips ...
Veni Creator Spiritus (Latin: Come, Creator Spirit) is a traditional Christian hymn believed to have been written by Rabanus Maurus, a ninth-century German monk, teacher, archbishop, and saint. When the original Latin text is used, it is normally sung to a Gregorian Chant tune first known from Kempten Abbey around the year 1000.