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A modified edition was published in 1999. Typical of the changes was Leviticus 15:2-15, where "man" was restored in the 1999 edition, [citation needed] as the passage clearly concerned males. Also a John 17:6-26 speech of Jesus was indented in the 1999 edition, following the indentation of similar passages in the gospel.
Most translations follow KJV (based on Textus Receptus) versification and have Romans 16:25–27 and Romans 14:24–26 do not exist. The WEB bible, however, moves Romans 16:25–27 (end of chapter verses) to Romans 14:24–26 (also end of chapter verses). WEB explains with a footnote in Romans 16:
[2] In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison ...
The New International Version (NIV) is a translation of the Bible into contemporary English. Published by Biblica, the complete NIV was released on October 27, 1978 [6] with a minor revision in 1984 and a major revision in 2011. The NIV relies on recently-published critical editions of the original Hebrew, Aramaic, and Greek texts. [1] [2]
In 2008, Zondervan released the TNIV Reference Bible. University teacher Rick Mansfield stated in an online review of a preview copy that it is "the edition of the TNIV I wish I had been using from the very beginning." [21] With the 2011 release of an updated version of the NIV, both the TNIV and the 1984 NIV have been discontinued. [22]
Casting down their golden crowns around the glassy sea; Cherubim and seraphim falling down before Thee, Which wert, and art, and evermore shalt be. Holy, Holy, Holy! though the darkness hide Thee, Though the eye of sinful man, thy glory may not see: Only Thou art holy, there is none beside Thee, Perfect in power in love, and purity. Holy, holy ...
Other interpreters have suggested that verses 5 and 6 of Psalm 23 do not carry forward the "shepherd" metaphor begun in verse 1, but that these two verses are set in some other, entirely human, setting. [5] Andrew Arterbury and William Bellinger read these verses as providing a metaphor of God as a host, displaying hospitality to a human being. [5]
1st ⓘ, [1] 2nd ⓘ, [2] 3rd ⓘ, [3] 4th ⓘ, 5th ⓘ [4] and 6th ⓘ [4] In music theory, voicing refers to two closely related concepts: How a musician or group distributes, or spaces, notes and chords on one or more instruments; The simultaneous vertical placement of notes in relation to each other; [5] this relates to the concepts of ...