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Ballet Manila is a classical ballet institution [1] and dance company in the Philippines. It currently [when?] highlights more than fifty highly trained dancers in the highly rigorous Russian (Vaganova) [1] method of classical ballet. Locally the company has performed in 47 cities [1] holding more than 4,100 [1] performances.
Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
Ballet is a French word which had its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance", [1] [2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".
Ballet Philippines (BP) is a ballet company in the Philippines founded in 1969 by Alice Reyes with the support of Eddie Elejar and the Cultural Center of the Philippines. Proficient in both ballet and modern dance, [ 1 ] the company synthesizes diverse dance [ 2 ] and movement forms into distinctively Filipino contemporary expressions.
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...
The Philippine Ballet Theatre pursues the goal of bringing the art of dance to the general appreciation of Filipino audiences. With its concurrent preservation of the classical story ballets, [2] such as Swan Lake, Giselle, The Nutcracker, and Raymonda, the theatre also launches contemporary ballets like Carmina Burana [3] by David Campos. The ...
Lisa Teresita Macuja Elizalde (born October 3, 1964) is a Filipino prima ballerina. [1] [2] In 1984, she became the first foreign soloist to ever join the Kirov Ballet.In the Philippines, she is the Artistic Director and CEO of Ballet Manila and was the Vice-Chairman of the Philippine UNESCO National Commission.
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