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Re-cut trailer. A re-cut trailer, or retrailer, is a mashup video that uses footage from a movie or its original trailers to create a completely new context, or one different from the original source material. The mashups are parody trailers that derive humor from misrepresenting original films: for instance, a film with a murderous plot is ...
With the expansion of YouTube and other video sharing websites over the years it has allowed film to be transformed into a read-write form of media. Digital files can now be accessed, edited and uploaded onto the internet. Free editing software is widely accessible so anyone with access to digital movie files can create a trailer mashup. [9]
M*A*S*H is a 1970 feature film adaptation of the original novel. The film was directed by Robert Altman and starred Donald Sutherland as Hawkeye Pierce and Elliott Gould as Trapper John McIntyre. Although the title had no punctuation onscreen, i.e. "MASH", in posters for the movie and in the trailer, it was rendered as M*A*S*H.
Opening credits. The opening credits of A Farewell to Arms, based on the 1929 semi-autobiographical novel by Ernest Hemingway. In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text ...
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A text created from lines of a newspaper tourism article. The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by ...
Mashup (music) A mashup (also mesh, mash up, mash-up, blend, bastard pop[1] or bootleg[2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
The Canadian news-magazine Maclean's called the movie as "a dazzling frontal assault on how corporate culture is using copyright law to muzzle freedom of expression." [ 13 ] Showing at the Whistler Film Festival , that took place 4 to 7 December 2008, [ 14 ] it won the Cadillac People's Choice Award . [ 15 ]