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The song is mentioned in James Joyce's Ulysses (1922). [5] It gained renewed popularity when it was sung by Jeanette MacDonald in the 1936 hit film San Francisco . [ 6 ] [ 7 ] The melody formed the basis of a Spiritual titled Hosanna , which in turn was the basis for the opening of Duke Ellington 's " Black and Tan Fantasy ".
Michael Maybrick (31 January 1841 – 26 August 1913) [1] was an English composer and singer, best known under his pseudonym Stephen Adams as the composer of "The Holy City", one of the most popular religious songs in English.
His cantatas were widely performed on the music festival circuit, with the best known The Holy City – premiered at the Birmingham Music Festival in 1882 – being the most popular of its era. [5] At the time of Gaul's death in 1913 it was the most performed work of English choral music in history, [ 2 ] and by 1914 over 162,000 copies of its ...
The first of Weatherly's well-known works was the hymn "The Holy City", written in 1892 to music by the British composer Stephen Adams. The song includes the refrain "Jerusalem, Jerusalem!". He wrote the song "Danny Boy" while living in Bath in 1910, but it did not meet with much success.
Sancta Civitas (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. [1]
The Holy Infant's Lullaby for voice (also for mixed or women's chorus) and piano (or orchestra), [133] (publ. 1962 [from The Saintmaker's Christmas Eve] [Recording by the Kansas City Chorale, Charles Bruffy conducting] [134] The Saintmaker's Christmas Eve, television score (publ. Ricordi rental) The Smashing of the Reich (score for TV ...
The song was such a big hit that New York City named Swift as an official Global Welcome Ambassador for the city. That wasn’t the only time Swift has shown love for her adopted home.
These oldest songs also include a few from a remote ancestor of Sacred Harp singing, the tradition of religious choral music that flourished in rural England in the mid 18th century, for example "Milford" by Joseph Stephenson (D 273). Songs by the New England composers of ca. 1770–1810, sometimes referred to as the "First New England School".