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In Central American mythology and folklore, the headless priest (Spanish: el padre sin cabeza, lit. ' the headless father ' ) is the spirit of a Catholic priest who died by beheading. There are multiple competing legends about the ghost that vary by region.
Los caballeros de la cama redonda (English: Round bed knights) is a 1973 Argentine comedy film directed and written by Gerardo Sofovich and Hugo Sofovich. The film starred Jorge Porcel and Alberto Olmedo .
Social Psychologist Icek Azjen theorized that subjective norms are determined by the strength of a given normative belief and further weighted by the significance of a social referent, as represented in the following equation: SN ∝ Σn i m i , where (n) is a normative belief and (m) is the motivation to comply with said belief.
Manolo Cabeza de Huevo" (Spanish for "Manolo the Egg head", although interpreted as "Manolo the Testicle head") is a series of famous Spanish-language abusive prank calls made by the New York radio show El Vacilón de la Mañana (Spanish for The Morning Party).
Our Lady of Cabeza (Spanish: Nuestra Señora de la Cabeza, La Santísima Virgen de la Cabeza, Virgen de la Cabeza, Nuestra Señora la Virgen de la Cabeza) is a Marian apparition and statue of the Madonna and Child, whose cult is centered at the Basilica of Nuestra Señora de la Cabeza, located in the Natural Park of the Sierra of Andújar, 32 km north of the city of Andújar, Spain.
Más sabe el Diablo por viejo (lit. ' The more the devil knows for old ' ) is a 2018 Mexican comedy film directed by José Pepe Bojórquez, from a screenplay by Bojórquez, and Alfredo Félix-Díaz. [ 1 ]
"A Very Old Man with Enormous Wings" (Spanish: Un señor muy viejo con unas alas enormes) and subtitled "A Tale for Children" is a short story by Colombian author Gabriel García Márquez. The tale was written in 1968 [ 1 ] and published in the May–June 1968 (VIII, 48) issue of the journal Casa de las Américas [ es ] . [ 2 ]
The movie kindled an intense social debate and even the Ministry of Education eventually promoted its discussion in the schools. In several interviews, Daranas stated: "The educational system is just a pretext [in the film] to talk about issues which are inherent to most official institutions and not just in Cuba.