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The Appalachian Mountains (probable place of origin) viewed from Clingman's Dome (perhaps, "Old Smoky") "On Top of Old Smoky" (often spelled "Smokey") is a traditional folk song of the United States. As recorded by the Weavers, the song reached the pop music charts in 1951.
Beethoven composed the song in E major, a key that William Kinderman suggests "was associated by Beethoven with work of a reflective, elevated, and often ethereal or religious character". [ c ] The vocal line best fits a high voice (tenor or soprano), though in concerts and recordings it has also been sung by lower voices in transposition.
The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.
In most genres of popular music, including jazz, pop, and rock, a chord name and its corresponding symbol typically indicate one or more of the following: the root note (e.g. C ♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major ...
"Mountain Music" — a song melding the Southern rock and bluegrass genres — has variously been described by country music writers as "a modern country classic" [3] and a song that "practically defined what country groups have strived to accomplish." [4] According to Randy Owen's book Born Country, "Mountain Music" took him three years to ...
"Oh, now" she replied, "there's a knife in the window"." Sing fol-de-rol-i-do, sing fol-de-rol-day. [5] The song usually ends with the couple in bed together: He took off his breeches and into bed tumbled [sung twice] I'll leave you to guess how this young couple fumbled. To me whack fol the diddle di do, to me whack fol the diddle day
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The song's chorus and five verses share a similar fourteen bar melody, although the melody is varied slightly each time. [10] The version of the melody used for the chorus has greater guitar accompaniment than the verses, based on the chords of A major, D major and E major, providing a literal "strength of strings" to the chorus. [10]