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Beethoven composed the song in E major, a key that William Kinderman suggests "was associated by Beethoven with work of a reflective, elevated, and often ethereal or religious character". [ c ] The vocal line best fits a high voice (tenor or soprano), though in concerts and recordings it has also been sung by lower voices in transposition.
Over the waves, returning, returning! Good-bye to loneliness and to the distant remoteness; Bright is my heart and bright is the sun, Happy to be returning to Ireland! I saw my fill of countries abroad, Gold and silver, the wealth of the world, My heart rises in me with the break of each day, As I draw closer to the land of my people!
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
The instrumentation consists of two alternating minor bass-chords, played at the very bottom of the pitch-range of an electric-guitar. The guitar is minor-open-tuned. For most of the song, the two bass-chords are played in descending order, but for the alternative sections, two different bass-chords are played in ascending order.
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The song "Shenandoah" appears to have originated with American and Canadian voyageurs or fur traders traveling down the Missouri River in canoes and has developed several different sets of lyrics. Some lyrics refer to the Oneida chief Shenandoah and a canoe-going trader who wants to marry his daughter.
The new song comes weeks after the group publicly reunited at the 2023 MTV Video Music Awards to present Best Pop Video’s first award of the night. “Over 20 years ago, we were just kids when ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...