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In 1993, Dunlop Manufacturing took over production and has continued to issue several varieties of the pedal. Jimi Hendrix popularized the Fuzz Face and was known to buy multiple copies at a time to identify the best ones; his pedal chain often consisted of a wah-wah pedal into a Fuzz Face, then into a Uni-Vibe. [8]
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
This pedal was introduced as a compact rendition of the Big Muff, with its controls similar to the 1969 Muff Fuzz containing only a tone switch and a level knob. Muff Fuzz (Op-Amp) 1979 - 1982 Discontinued Based on the 1969 Muff Fuzz, this is an Op-Amp version, and was powered by a 1458N IC chip. Red Army Overdrive 1990 - 1992 Discontinued
A custom-painted Fuzz Factory by Laura Bennett, an artist previously in the employ of Z.Vex Effects. Each unit is handpainted, and while there is a stock design that adorns most models of the pedal, there have been several variations released in limited quantity, including sparkle finishes, kanji finishes (writing and labelling of controls are in Japanese kanji characters), Korean finishes ...
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.