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The cover for the album is of Jim Morrison as portrayed by Val Kilmer. It is a photo of Kilmer looking straight in the camera's lens.His face is in black and white and his hair has the color of burning flames, it is the same effect created on the movie's posters and advertising material.
After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 18 — the start of a long and successful partnership with Rothchild and sound engineer Bruce Botnick. The Doors were fired from the Whisky on August 21, 1966, when Morrison added an ...
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
The Doors is the debut studio album by the American rock band the Doors, released on January 4, 1967, by Elektra Records. It was recorded in August and September 1966 at Sunset Sound Recorders , in Hollywood, California, under the production of Paul A. Rothchild .
Download QR code; Print/export ... Pages in category "The Doors soundtracks" ... The Doors (soundtrack) W. When You're Strange: Music from the Motion Picture
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
The term can also be used for kinds of easy listening, [6] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.
In 2007, on the occasion of the release of the 40th anniversary edition, Sal Cinquemani of Slant Magazine, argued that "while The Doors had more frequent, obvious peaks, the quirky Strange Days is a more ambitious, unified work. There are fewer filler tracks and each song carries as much weight as the one before and after it" and called it "a ...
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