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Historians tended to focus on individual salonnières, creating almost a "great woman" version of history that ran parallel to the Whiggish, male-dominated history identified by Herbert Butterfield. Even in 1970, works were still being produced that concentrated only on individual stories without analysing the effects of the salonnières ...
Historians tended to focus on individual Salonnières, creating almost a 'great-woman' version of history that ran parallel to the Whiggish, male dominated history identified by Herbert Butterfield. Even in 1970, works were still being produced that concentrated only on individual stories, without analysing the effects of the Salonnières ...
Historians tended to focus on individual salonnières, creating almost a 'great-woman' version of history that ran parallel to the Whiggish, male dominated history identified by Herbert Butterfield. Even in 1970, works were still being produced that concentrated only on individual stories, without analysing the effects of the salonnières ...
Throughout the 18th century the salon served as a matrix for Enlightenment ideals. Women were important in this capacity because they took on the role of salonnieres. [13] Salons of France were assembled by a small number of elite women who were concerned with education and promoting philosophies of the Enlightenment. [12]
Janet Burke and Margaret Jacob write that by placing only, "a handful of selfless salonnières (such as Geoffrin) at the centre of Enlightenment history, Goodman is effectively obliterating a wider version of the Enlightenment cultural practices as well as downgrading "all other seemingly enlightened woman."
A great friend and protégé of Madeleine de Scudéry, L'Héritier's participation in the fairy tale genre reflected her involvement in the salon scene, as she and so many of her friends and fellow salonnières, such as Madame d'Aulnoy and Henriette-Julie de Murat, were members of les conteuses.
Liberty Leading the People by Eugène Delacroix. The Salon of 1831 was an art exhibition held at the Louvre in Paris between June and August 1831. [1] It was the first Salon during the July Monarchy and the first to be held since the Salon of 1827, as a planned exhibition of 1830 was cancelled due to the French Revolution of 1830.
Henriette-Julie de Murat (1668 in Paris – 9 September 1716 in Château de la Buzardière) was an aristocratic French writer of the late 17th century, associated with the Baroque Précieuses movement, and one of the leading members of the French Salons who created the fairy tale genre. [1]