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The well-known English lyrics were written in 1926 by Jesse Edgar Middleton and the copyright to these lyrics was held by The Frederick Harris Music Co., Limited, but entered the public domain in 2011. The English version of the hymn uses imagery familiar in the early 20th century, in place of the traditional Nativity story. This version is ...
That night, as Jesus is born, the animals are overwhelmed with love for each other—even the hogs are allowed into the stable for the first time to see the baby. Then, the animals come to the realization that they have been given the gift of speech to tell the world of the "miracle"—the birth of Christ.
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Palestine, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
This is the story of Christmas like you've never heard it before. Southland Christian Church in Kentucky asked kids to tell the story of Jesus's birth.
"Tierra bendita y divina" (English: "Blessed and Divine Land"), also known as "Tierra de la Palestina" (English: "Land of Palestine"), is a traditional Spanish language Christian hymn derived from Cuba and composed by Robert C. Savage in 1954. [1]
The Ascension of Jesus (anglicized from the Vulgate Latin Acts 1:9-11 section title: Ascensio Iesu) is the Christian teaching found in the New Testament that the resurrected Jesus was taken up to heaven in his resurrected body, in the presence of eleven of his apostles, occurring 40 days after the resurrection.
the whole world being at peace, Jesus Christ, eternal God and Son of the eternal Father, desiring to consecrate the world by his most loving presence, was conceived by the Holy Spirit, and when nine months had passed since his conception, was born of the Virgin Mary in Bethlehem of Judah, and was made man:
The work has been described by Laura Saetveit Miles, a University of Bergen Professor of medieval literature, as "one of the most admired fifteenth-century Middle English lyrics [which] offers, within a deceptively simple form, an extremely delicate and haunting presentation of Mary (the 'mayden / þat is makeles') and her conception of Christ ('here sone')". [1]