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Le Rouge et le Noir (French pronunciation: [lə ʁuʒ e l(ə) nwaʁ]; meaning The Red and the Black) is a psychological novel in two volumes by Stendhal, published in 1830. [1] It chronicles the attempts of a provincial young man to rise socially beyond his modest upbringing through a combination of talent, hard work, deception, and hypocrisy.
Stendhal added an additional "H" to make the Germanic pronunciation more clear. [25] Stendhal used many aliases in his autobiographical writings and correspondence, and often assigned pseudonyms to friends, some of whom adopted the names for themselves. Stendhal used more than a hundred pseudonyms, which were astonishingly diverse.
Stendhal describes a handful of love affairs he declined even when the memory of his Métilde had become "a tender, profoundly sad ghost, who, by her apparitions, inclined me powerfully to ideas of tenderness, kindness, justice and indulgence." Michael Wood interprets the narrative as an account of Stendhal's recovery from his infatuation with ...
The life of Stendhal's Julien Sorel mirrors events in the life of Antoine Berthet to a remarkable degree. A small collection of dossiers on 'L'affaire Berthet' (including some newspaper accounts of the trial and the execution), are appended to the 1997 Livre de Poche edition of Le Rouge at le Noir. Stendhal, (1997) Le Rouge et le Noir.
The Charterhouse of Parma (French: La Chartreuse de Parme) is a novel by French writer Stendhal, published in 1839. [1] Telling the story of an Italian nobleman in the Napoleonic era and later, it was admired by Balzac, Tolstoy, André Gide, Lampedusa, Henry James, and Ernest Hemingway.
A Life of Napoleon (french: Vie de Napoléon) is a book written by Marie-Henri Beyle, better known under his usual pseudonym of Stendhal, in 1817-1818. It was one of two essays that Stendhal devoted to the Emperor, with Mémoires sur Napoléon (1836-1837) being the second. Stendhal followed Napoleon's campaigns in Italy, Germany, Russia and ...
Vanina Vanini is a short story published in 1829 by Stendhal (1783–1842), the pen name of Marie-Henri Beyle. Set in the 1820s during the early Risorgimento, when Italy was under Austrian control, it concerns the love affair of a young Roman princess and a revolutionary carbonaro.
The manuscript, including Stendhal's numerous diagrams and illustrations, was published in 1890. Stendhal primarily discusses his unhappy and dull childhood, touching briefly on his time as a soldier. The Life of Henry Brulard is considered a masterpiece of autobiographical writing and ironic self-reflection. [1] [2]