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She absconds and hits a tribal who wants to sacrifice her to the goddess. Then, Mantra Siddha sets foot as a sage and dispels her to his cave. Vikramarka & Bhatti are on a quest for Prabhavati, who is struggling to protect her purity. After a while, Tirakaasu reaches Prabhavati, schemes, and knowledge of Mantra Siddha's life secret.
According to Gaudiya Vaishnava tradition, this text's central mantra, known as the Hare Krishna, or Mahā ("Great"), Mantra, was given in the 16th century to Chaitanya Mahaprabhu at his initiation in Gaya (though the Sanskrit mantra is absent from his biographies). [3] This mantra, presented in two lines, contains the words Hare, Rama, and Krishna.
Another tradition identifies Dhumavati with Smashana-kali, "Kali who lives in the cremation ground." [35] She is considered a terrible aspect of the Goddess and included among the Kalikula ("family of Kali") goddesses. [36] Dhumavati's nama stotras (hymn with names of the deities) identify her with Parvati, Sati, and glorify her as a slayer of ...
Vivekananda's prayer to Kali at Dakshineswar is an event which occurred in September 1884 when Swami Vivekananda (then known as Narendranath Dutta), following the suggestion of Ramakrishna, went to the Kali temple of Dakshineswar with the intention to pray for financial welfare, but ultimately prayed for pure knowledge, devotion and renunciation.
Kali (/ ˈ k ɑː l iː /; Sanskrit: काली, IAST: Kālī), also called Kalika, is a major goddess in Hinduism, primarily associated with time, death and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who provide liberating knowledge.
Kali Puja (ISO: Kālī Pūjā), also known as Shyama Puja or Mahanisha Puja, [1] is a festival originating from the Indian subcontinent, dedicated to the Hindu goddess Kali.It is celebrated on the new moon day (Dipannita Amavasya) of the Hindu calendar month of Ashwayuja (according to the amanta tradition) or Kartika (according to the purnimanta tradition).
The poem glorifies the goddess Kali, whom Hindus associate with empowerment. In this poem, Vivekananda is worshiping the terrible form of the goddess (Kali is portrayed mostly in two forms: the popular four-armed form and the ten-armed Mahakali form, the "terrible" form). In the poem, he shows how the whole universe is a stage for the goddess's ...
The text starts off with the legends of Devi trying to bring Shiva back from ascetic life into that of a householder's by making him fall in love again. [1] According to Ludo Rocher, Markandeya describes how Brahma, Shiva and Vishnu are "one and the same" and that all goddesses (Sati, Parvati, Menaka, Kali and others) are manifestation of the same feminine energy.