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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
Pierre Fauchard (French pronunciation: [pjɛʁ foʃaʁ]; 2 January 1679 – 21 March 1761) [1] was a French physician, credited as being the "father of modern dentistry". [2] He is widely known for writing the first complete scientific description of dentistry, Le Chirurgien Dentiste ( "The Surgeon Dentist" ), published in 1728. [ 2 ]
Baker's Biographical Dictionary of Musicians is a major reference work in the field of music, originally compiled by Theodore Baker, PhD, and published in 1900 by G. Schirmer, Inc. The ninth edition, the most recent edition, was published in 2001.
Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles.
Fauchard: A large iron "hand weapon" (vs. throwing weapon) with the form of a bill, the back, which is opposite to the longest curve, is straight or concave, while the cutting edge is convex. The fauchard differs from the guisarme by the direction of its edge and its point, generally projected in the rear, and of the war scythe by the dimension ...
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century.
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons.
The exception is the 16th- and 17th-century Italian keyboard pieces which included both vocal and instrumental music. Intabulations contain all the vocal lines of a polyphonic piece , for the most part, although they are sometimes combined or redistributed in order to work better on the instrument the intabulation is intended for, and idiomatic ...